By the end of one's last day at Euroluce, one is tired and unresponsive. I was lucky therefore that I finished on a high note, being shown the Penta display by the charming and efficient Mariarosa. It was that rare thing -- a stand with no duds!
We'll post separately about two designs, Tic Toc and Glo Mini, later this week.
The first light featured in this post, and shown above, is Juliette by Carlo Colombo. At first glance, it is a simple, unfussy 21st century design reminiscent of the mid 20th century, the 1930s -- Félix Aublet, for example. The closer look reveals excellent proportions, neatly patterned electrical cable, and a marble base.
There are three sizes -- a floor-standing light, H1700mm:
and two sizes of table light, H550mm and H300mm:
in black nickel, or white or light blue or red. The bases are in white carrara marble or black marquinia marble. The weight of the marble allows the bases to be crisply cut discs, in proportion to the rest of the design.
Klint, by Penta's art director, Umberto Asnago, is an unusual glass table light, in two sizes, Ø300 H300mm, and Ø150mm H280mm:
There are two separately switched LED light sources in the base -- one in the centre and one around the outside, allowing different amounts and intensity of light. The result is a choice of two elegant glass sculptures that also happen to be sources of adjustable ambient light:
Finally, designed for Penta by Daniel Debiasi and Federico Sandri of the design studio Something, there is Labo, so called because the inspiration was laboratory glassware (an extremely specialized field, demanding bespoke work of astonishing accuracy, as practised by ASO Glassblowers [01235 834477] who are next door to our warehouse):
Like Juliette, there is a floor version, total height 1,490mm:
and two sizes of table version, H550mm and H330mm, in clear, blue or smoked glass:
That link to specialist glass working is justified because the complex shape of these lights is apparently made with no seams. The result is very pure -- no joints, springs &c.:
Yes, you see the cable going up through the centre to the lamp, but that now becomes an attractive detail. Again, as you look closer, you see that they have thought about the cable -- it is plaited and in a choice of colours, yellow or black.
Penta's collection is very varied -- there is no "typical" Penta light, which is a strength but also a problem at the simple level of remembering what they do. Sadly, they are not on Architonic yet, so they are not in our LIGHT FINDER, meaning that your search results won't show their lights, however relevant they may be. Therefore, it behoves one to get their catalogue down and to go through it periodically. Of course, Cameron Peters Fine Lighting staff will draw lights by this excellent company to your attention whenever they suit your brief.