If an architect/designer of the stature of Michele De Lucchi creates Produzione Privata – his “private production” – so that he can release collections that are independent of the requirements of professional clients, and not compromised by the restraints of fashion and markets, the results are going to be really special – the connoisseurs’ choice! They are also exclusive: not many people know about them.
The 2015 introductions are best understood from a charming two-minute animation here, set to a piano sonata by Mozart that you probably used to play – the name of the collection being Viva Mozart (because “everything he wrote was harmonious, innovative and happy”).
Here are some highlights. The Sedia 2015 Gala chair shown above has its back in the form of a horseshoe, plus the sturdiness and solid feet of a cob. It is made of beech and walnut.
There is also the San Vigilio table in oiled oak:
In fact, wood may be Michele’s favourite material. We are delighted that one of his new lights made of wood (solid walnut) is in the form of a circle (a shape that many want, and architects revere, but there are not many available). It is called Dodici (=twelve) because the LED lamps echo the twelve hour markings on a clock face.
Linear pendants are nowhere near as rare as circles! But, by coming at this typology from the point of view of someone who loves wood, and who is an architect (so he is constantly aware of dimensions), he has created something new: Metro – ten 10cm blocks of walnut glued together to make a ruler (with LED lamps in) that is exactly one metre long.
Even more obviously architectural is Brunellesca – five oak barrel vaults and a central cupula:
The collection is not all wood, though. Michele De Lucchi has the advantage of working with Alberto Nason, the son of the great Murano glass light designer, Carlo Nason. Here is a table version that they have added to the Perseo family. The elegant, dynamic glass diffuser is now stood on four rough iron supports. There is also a floor version.
And the latest versions of Glacier (here, the pendant Glacier 20 – there is also a table light, and vases) replicate the look of ice. No two are the same, because the cwms and crevasses are formed using a special type of mould that allows for some random movement during the blowing of the glass.