Maison et Objet, Paris January 2014: a handy guide


As before, I've prepared a guide for Maison & Objet that highlights the lighting stands that, in our opinion, you should consider visiting. I explain why in this post, which is arranged alphabetically by hall.However, the guide works better as a PDF (click here: M&O 01 14 handy guide), in which each hall is on its own pages, so you only need to have out the pages for the hall that you are in.

There are two one-page summaries, one alphabetical (M&O 01 14 handy guide alphabetical summary) and one by hall (and then alphabetically) -- M&O 01 14 handy guide summary by hall. Because the fair is so huge, the latter helps you to plan which halls to visit and how long to allocate to each one.

There are no images. Instead, I've provided the web addresses, so that you can look up any exhibitors that you are not sure about. There is also a picture for each one on Maison et Objet’s official guide to exhibitors:

This year, I have not included any UK brands. This is partly because, for most of our readers, they need no introduction from me, partly for space reasons (there is a gratifying increase in the number of UK firms showing) and partly because this is not a time of the year when UK companies tend to introduce new items.

We welcome feed-back, so that we can make future guides better.


There are formal activities in Paris itself from the 23rd  to the 27th January (so almost the same dates as Maison & Objet at Villepinte). Forty nine showrooms are open for Paris Deco...Off and there are shuttle buses connecting them. The vast majority are either:

–          along the rue du Mail (approximately between the Bourse and the Palais Royal), or

–          on and around the rue de Furstenberg in Saint-Germain-des-Prés.

There is virtually no lighting: the emphasis is on fabrics. However, not formally part of PARIS DECO... OFF, but exhibiting in their own showrooms, rather than at Maison et Objet, are....

Pouenat Ferronnier   22bis Passage Dauphine 75006

One of the most exciting, varied – and courageous – sources of furniture and lighting, this long-established fine metal working company is creating collections with leading young designers that include India Mahdavi, Nicolas Aubagnac, Damien Langlois-Meurinne, François Champsaur and Michel Jounannet.

Their showrooms are open from 24th January to 28th  January (i.e. the same dates as Maison & Objet), from eleven o’clock until eight o’clock. Who wouldn’t want an excuse to visit this corner of Paris for a few hours!

Baccarat   11 place des Etats-Unis 75116,en,sc.html

This year, Baccarat are celebrating their 250th anniversary. There will therefore be exciting new collections, so do visit the truly amazing shop/museum (chandeliers under water, huge talking vases...) that Philippe Starck created for them. See also the first book about Baccarat that has just been published, and which is available from the bookshop on our web site.

Also whilst in Paris (rather than out at Villepinte):

–          the best lighting department in any department store anywhere (though its quality goes up and down a bit) is at Le Bon Marché ( )

–          one of the best retail lighting shops anywhere (except that it has far too little space) is Novaluce at 172, rue du Faubourg St Honoré, 75008 ( )

–          the best area anywhere for vintage lights and chandeliers is in Saint-Germain-des-Prés, approximately within the square marked out by the rue des Saints-Pères, the rue de l’Université, the rue du Bac and the rue de Lille. At the same time you can visit Pouenat, and...

–          Roll and Hill at Triode, 28 rue Jacob. See the entry at the end of my notes on Hall 8

–          see what Hervé van der Straeten is up to, at 11 rue Ferdinand Duval 75004

–          visit the Paris gallery of the Carpenters Workshop Gallery  54, rue de la Verrerie, 75004. Their roster includes the Campana Brothers, Gordijn and Nauta (aka Studio Drift), Mathieu Lehanneur, Nendo and Studio Job. Their next exhibition is of works by Stuart Haygarth (he of the huge round pendant lights made up found objects). It doesn’t start until the 8th February, though.


Gianni Seguso   A28 B27

Visit this stand to see some of the very finest Murano glass chandeliers – and that means some of the very finest craftsmanship of any kind in the entire world.  Such ateliers do not have catalogues &c. so we ask you to take the opportunity to see what they can do when you get the chance. If you are interested in a piece from them, come to Venice to discuss it. The commissioning should be as fascinating as the ownership will be fulfilling.

Romano Bianchi   B80 C79

This family company (Romano Bianchi and his two sons) is the real deal. They mine the alabaster, they work it and then they ship it to us – no middle men!. Their mine (Cipollone) is the last one still open in Volterra. It produces blocks in  a wide variety of amazing colours, and of veining. Just by seeing what is on their stand and talking to Roberto, you’ll learn a surprising amount about alabaster. You’ll also see incredible workmanship. Many of the items are too baroque for some tastes, but there are others in restrained, often classical, styles that will be very useful. Romano Bianchi would be the best source for bespoke alabaster pieces.

And, not lights at all, but wonderful:

Kiade   D97

Kiade make the most stunningly detailed and accurate models of classic Riva motor boats and the great historic racing motor boats. We’ve learnt that when people think of Cameron Peters, they think of lights, so it is pointless our offering anything else. But if anyone is interested on our offering these wonderful creations, do let us know. They are as much about the finest design and craftsmanship as are our best light makers. Maybe you are doing a boy’s room or a study....



If you’ve got the time, do not just whizz past the Craft section in Hall 5A – there are always some enchanting things here, including:

Benoît Vieubled   H48

...with his charming, playful, airy, wire creations. Maybe his globe chandelier (Monde à l’Endroit, Monde à l’Envers) will also there. He works with Art & Floritude, upon whose stand (Hall 7 Stand B21) works of his may also appear –

Créations Didier Legros   G54 LE H53

Not lighting (I won’t spoil things by telling you what he does do), but never waste the opportunity to gaze in fascination....

Also in Hall 5A:

Le Bonheur du Jour de Caroline       L29

The essence of French charm! Caroline embroiders enchanting little shades. You can buy them as is, or as part of a complete light: her husband finds the lamp bases in flea markets and spruces them up. This means that there is no catalogue of standard items, so they are not suited to the standard procedures for contract. But do take this chance to visit their stand and see what they do – it is the only way you can because they have no web site – and you’ll be inspired to find a way to use some of their unique pieces. You’ll really want to!


Brabbu       M17 N18

There is something amazing going on in Oporto! Several companies there are offering the most flamboyant designs imaginable and it is exciting to see each new collection. Several of them are loosely affiliated: Boca Do Lobo (Hall 7, H158), Brabbu (Hall 5B M17 N18), Delightfull (Hall 8 A81 B82) and Koket (Hall 7 G129). When just Delightfull did lights, it was easier for us. But the other three companies also now have lighting collections. And that is a good thing because their work tends to be different to Delightfull’s jazz/1950s æsthetic. Don’t miss any of them!

SCE   H48

The 60-year-old Société Centrale d’Eclairage has a particularly eclectic catalogue. There is no such thing as a typical SCE light, so do take this opportunity to acquaint yourself with what they are currently offering, since they are not yet on Architonic. There are three ranges: “SCE Collection” that comprises various items that are on-trend – e.g. the plain glass Kooki, and several designs with an industrial feel; “SCE Edition” which is more unusual and design-led; and “SCE Contract”, which demonstrates  an understanding of the types of design and price point that are required for contract.

Lum’art   N33

You will know Lum’art as a long-established source for rustic French lanterns, mostly for exterior use. It still is but, since it was taken over by Pierre Génin in 2010, there are more contemporary designs being added that exploit their expertise in working brass, copper and zinc. There is a wide range of finishes (16), 450 designs and they are keen to work on projects. Do have a look at their clear and efficient web site.

Thierry Vidé Design   P42

Another case where it is essential to see what they do for real (not just in pictures)  and what happens when you walk around what they have created.  The material is pierced metal sheet that can be coloured and which, when used in layers, creates magical kinetic effects. Thierry and his sons, Jean-Sébastien and Félicien, use it to make the normal-sized lights that will be on their stand, but they can also create the most exciting, vast pieces (lights or sculptures) for large interiors or for exterior use. No-one else can design such large site-specific pieces that do not block out light, and which seem so weightless as to float.


Shoya Yoshida - Renaissance   O37

We know nothing about this Japanese brand except what is on the web site. But we are intrigued: they are creating lights using washi paper and these will be interesting to see. If we are to work with them, though, there are the usual considerations: compliance, availability, efficiency and aftersales support.


MH WAY   Q25

Not lights, but the very cool, very practical bags by the Japanese designer Makio Hasuike, that the design community buy from his shops in Milan. For this season, he is adding new colours.


Art et Floritude   C110 D109

You would, until recently, primarily have known this Loire valley-based family company for their traditional, bucolic designs of painted leaves and fruits (making chandeliers and wall lights based on olive branches, for instance), and beautiful small porcelain flowers. But for some time now, at each fair they also show more contemporary designs in metal and porcelain. They are particularly strong in large custom pieces, working with India Mahdavi at the Connaught and Patrick Jouin at the Dorchester, for example.

Boca Do Lobo   H158

There is something amazing going on in Oporto! Several companies there are offering the most flamboyant designs imaginable and it is exciting to see each new collection. Several of them are loosely affiliated: Boca Do Lobo (Hall 7, H158), Brabbu (Hall 5B M17 N18), Delightfull (Hall 8 A81 B82) and Koket (Hall 7 G129). When just Delightfull did lights, it was easier for us. But the other three companies also have lighting collections. And that is a good thing because their work tends to be different to Delightfull’s jazz/1950s æsthetic. Don’t miss any of them!

Fortuny/Venetia Studium   G119

Best known for the magical hand-painted silk creations of Fortuny, they are also now exploring other designs by him that are more functional than decorative – specifically the large, floor-standing floodlight. The results are wonderfully sculptural pieces. The detailing and quality of production are amazing, so don’t waste the opportunity to see them (e.g. the Studio 1907 Tripod floor light) up close and personal.

Lieux   E145

Another delightful, playful French collection with small birds on wires, &c. You may find lights that have intrigued you in magazines, but you didn’t know who made them. Well, it was Patrice Gruffaz, who created Lieux.

Mat & Jewski D166

Hervé Matejewski’s creativity is also unique, and bold, so this is a stand that always surprises (usually in a good way!). But our favourite works of his may be amongst his earliest – the fantastic feather pieces. His new introductions can be a bit different, and difficult to summarize (which is why you should go and see them!). Look out for the Diamant and Cristal pendant lights, and the Mini-tube table lights.

Murano Luxury Glass   D28 E27

Armani/Casa   D28 E27

Roberto Cavalli Home   C35

It is good that retail brands such as Roberto Cavalli and Armani/Casa are (a) including Murano glass pieces in their Home collections and (b) are going to a genuine Murano glass company, Formia, to source them. Normally one would never buy Murano glass unless one knew who made it where, especially since one may be paying a substantial premium for a “luxury” brand name. But Formia’s involvement here means that you can specify Murano glass for those clients who are swayed by luxury brand names....

Objet Insolite   G110

Dark bronze structures, their organic designs sometimes featuring elements of plants, and animals, with cream (or other single colour) shades, this collection, though very French and frequently specified for hotels and restaurants, is particularly well suited to cottages and barn conversions. Don’t miss the unique decorative outdoor lights.

Saint-Louis   G79

Saint-Louis is one of the greatest names in French crystal. Their catalogue collection of chandeliers is not huge, but it is diverse, so this is an important opportunity to see what they do, to see the new, “modern” designs that they are introducing, and also to discuss custom pieces.

Tekna (Nautic, Flat and the Caret lamp)   D76 E75

Yes, there are three things to see that come under the Tekna umbrella:

–          Nautic (which celebrated its 20th anniversary last year) is our key source for lanterns and other lights with a nautical/seaside feel about them. Actually, that does not fully explain their distinctive range, so do go and look at it.

–          Flat is an innovative range of trimless downlighters. You can imagine trimless, but not the remarkable, shadowless light that these cast, thanks to the baffle and the diffusers used. So you have to go see. Then you will understand why – should you ever have to use a downlighter –  you should specify it from this range.

–          the Caret Squirrel Cage lamp, which  may be the most important object in the entire Parc d’Expositions. You can usually see the lamp in lanterns. Traditionally, therefore, lamps that are attractive to look at have been used. For Nautic, this has meant the incandescent squirrel cages. Politicians are going to ban squirrel cages. What to do? Erik spent four years researching an alternative. It is now available as the Caret Squirrel Cage lamp that replaces the wire in an incandescent lamp with loops of cold cathode tube. The light it casts is wonderfully warm. It will be the saviour of all existing, and future, lanterns. That is why it is so important. Because, if you don’t use these, what are you going to use?

Venini   H154

One of the greatest luxury brands, their ArtLight collection has been pruned and revamped, items that only had model numbers have now helpfully been given names (“99.19" is now “Scarlatti”, for example), and the catalogue has been split into three:

–          “The Classics”, which are multi-arm chandeliers, some traditional, some modern;

–          “Architectural Lighting”, which does not contain any architectural lighting at all (they will have to come up with a name that is not misleading) – rather, it is lights which are not multi-arm chandeliers (e.g. Esprit); and

–          “Author Collections”, which contains the pieces which are primarily works of art, rather than functional lighting, by great names like Tadeo Ando, the Campana Brothers, Studio Job, the Bouroullec Brothers, Ettore Sottsass and Mimmo Rotella.

Note that Venini are not keeping their Architonic information up-to-date so you won’t find lights of theirs that are suitable to your project unless you take the trouble to go to their web site or catalogue.


&tradition   B1 C2

&Tradition supplies classic Scandinavian designs by designers of the calibre of  Arne Jacobsen and Verner Panton, but also by interesting current designers like Victor Vetterlein. The result is an eclectic, high calibre collection that should not be missed. Take the opportunity to see the new patterned glass pendant, Blown, if you did not see it at lightjunction in September. They are now handling Sophie Refer’s Ice Chandelier.

Arpel Lighting   B99

Now, I know what you are going to say: Surely that is Goodbye Edison’s collection of high quality LED lights, launched at M&O three years ago? Well, you are right: they have just changed their name. Frame is a neat, simple idea: a table light shaped like a frame, with LEDs at the back that would illuminate any picture on the wall behind it, and which would be visible through the frame. The rest of the collection continues in this language of minimal forms holding (and made possible by) LEDs. And they have not just changed their name – the other recent development has been the issuing of some of their designs in colours.

Blackbody   A61 B62

The first person to use a new lighting technology is always Ingo Maurer, so he did the first OLED light (the Early Future table light). But Blackbody first company to base its entire business on OLEDs. It is an essential stand to visit, therefore, if you want to see how OLEDs can be used in decorative lighting, what the light that they cast is like, and how much they cost.... We like Aldo Cibic’s Blossoms. And Rain. They are promising to show a new lighting collection at this event which, besides being new designs, should show us all how the use of OLEDs in decorative lighting is progressing.

Bloom!   D87

Rob and his wife invented the idea of the outsize illuminated flower pot that can be used for flowers, or trees, or Christmas trees, or packed with ice and filled with lager... But see also their small outdoor portable lights, and Ornametrica, their mathematical, expanding indoor chandelier. Note also the illuminated outdoor stool – called Stool....

Brokis   F40

This new Czech glass brand continues to present interesting contemporary designs, such as the Muffin, designed for them by Dan Yeffet and Lucie Koldova, that combine glass with metal and wood. Last year, they presented here the balloon lights called Memory. New  since lightjunction is the neat Sätelite table and ceiling light (like a microphone).

Céline Wright   C38

No-one makes lighter pieces than Céline Wright: floating shapes – large and small – from paper, often suspended from the most delicate structures, that may be complemented by the use of a pebble to provide weight. Last year, besides showing her new Arabesque collection, that look a bit like the outline of a whirling Dervish, she had one of her staff making them on the stand – showing that they are painstakingly assembled by charming people – not churned out be machines!

Mathieu Challières   C12

It is no secret that Cameron Peters seeks out designers with a unique vision, and Mathieu Challières is a great example. Note the playfulness (e.g. his Petit Air de Campagne collection with birds and apples), and his use of colour (Les Diabolos – the answer when someone wants a “cheap” chandelier – these are not expensive, but they are real designs in their own right, that enchant grown-ups and children alike) and of white (see his series of large white plaster pieces).

DCW   A1 B2

DCW Enterprises have been responsible for arguably the most important recent re-edition of a classic task light, the French La Lampe Gras from the 1920s. It is beautifully made, in a variety of typologies (table, wall, floor). It is one the few lights that is so important that there is a monograph dedicated to it. See the new colours and structures – wall lights with an extra long reach, for example. New models are being added all the time: the exciting news for this event is that they will showing new white and copper versions!

Then last year, DCW introduced designs from the early ‘50s by Bernard Schottlander. If you haven’t yet seen these wonderful organic pieces, do so now. A ceiling light and a shorter wall light have been added to this collection.

And this year, they will be showing Balise, a new line that has been developed with Dominique Perrault Architecture and the French manufacturer, Sammode. There are just two taster pictures so far, but they are enough to excite the lighting glands...

Delightfull   A81 B82

There is something amazing going on in Oporto! Several companies there are offering the most flamboyant designs imaginable and it is exciting to see each new collection. Several of them are loosely affiliated: Boca Do Lobo (Hall 7, H158), Brabbu (Hall 5B M17 N18), Delightfull (Hall 8 A81 B82) and Koket (Hall 7 G129). When just Delightfull did lights, it was easier for us. But the other three companies also have lighting collections. And that is a good thing because their work tends to be different to Delightfull’s jazz/1950s æsthetic. Don’t miss any of them!

Designheure D38

Designheure’s speciality is large pieces, in unusual shapes, particularly suited to large spaces. At least, that is how one thinks of them! But look more closely at the collection and you’ll see interesting lights of normal dimensions – even small ones (e.g. the practical Library Lamp for use in book stacks). So we all need to take this opportunity to have a better look at what they do!

Dix Heures Dix   C16

The best source of large, fabric, freestanding lights, of course, but do visit their stand to remind yourself of the other things that they do, and that you may not expect from them – for example, the Koon chandelier and the Infini floor light.

EOQ   E19

We are delighted that EOQ will be showing here – that the French and others will get the chance to see the quality of what they are doing. It helps that EOQ are working with a really good designer – Michael Young – and that they are arranging production with factories that work to the very highest standards. So, for example, the Bramah lights are extruded from a solid block of aluminium by a company otherwise making fascias for hi-fi and technical equipment, &c. The result is pieces of understated perfection.

Forestier   C27 D28

Originally known primarily for outdoor luminaires, Forestier are now building a very varied collection of strong pieces by designers of the calibre of Noé Duchaufour-Lawrance, Ionna Vautrin, and, particularly, Arik Levy – see his Bodyless collection, and the SPI series, to Claesson Koivisto Rune’s Baklava for Örsjö, both launched last September.

Gubi   F19 G20

Gubi has become one of the most important players in the current trend (long may it continue!) of re-editing great designs from the 20th Century. An essential stand to visit: lights compose only some of the classic designs that they are making available again.

Jacco Maris   E86

A fascinating collection: one man’s vision that ranges from the big, butch, industrial The Outsider range, to the sensual, feminine Ode 1647 in rich colours and finishes, via Idée Fixe – a shade shape made of what looks like italic script that is hovering in space – like the words expressing what people are thinking in Sherlock Holmes.

Kalmar   D80

Vienna-based Kalmar is one of the great names in lighting. They have been around for 130 years and have had the great idea to raid their archives to create a family of authentic 20th century designs, which they  have branded Kalmar Werkstätten.The workmanship is of the highest standard – an essential stand to see!

Lahumiere Design   D103

A steadily growing collection of sculptural lights, often made from folded metal sheet, and with a hint of the ‘60s. We’re hoping to see and understand the Circolo table light and the Éole pendant.

Lasvit   A91 B92

One of the most important of the companies to emerge from the post-communist Czech glass industry, and the one making the biggest splash at various trade shows, with their large and interesting custom pieces. Note that they have a catalogue of standard items – the neat little Glitters family, for example. And “Lighting Sculptures” like fashion designer Maurizio Galante’s Plisse Cloud, or Growing Vases by the Japanese designer, Nendo.

Le Deun Luminaires   C19

Jean-Luc has been working with LEDs since 1997 – i.e. longer than almost anyone in decorative lighting – and the journey has thrown up some fascinating designs along the way. His current collection is based on simple geometric shapes – circles, squares, cubes – with LEDs around their insides. Very practical, very strong, very minimal. This year he has added hexagons that fit together to create a honeycomb effect.

Martinelli Luce   F98

One of the best Italian contemporary lighting companies – and the only one at this show! A fine, distinctive collection, built up over several decades – some designed by the family, but by no means all. If you haven’t already, note there is a smaller version of the late Gae Aulenti’s Pipstrello. It is called Minipipstrello....

Muuto   C1 D2

A Danish company with a lighting collection that displays the classic strengths of Scandinavian design: strong simple forms that make the most of the nature of the materials from which they are made, e.g. wood (Wood Lamp), felt (Under The Bell), glass and E27 – a base you can put your choice E27 lamp into....

PCM Design   D33

Founded in Spain in 2011 by the architect Paloma Cañizares, PCM Design are “...trying to search product from very talented and young designers coming from the best design schools.” Production is rooted in local materials and skills. The lights in their collection are the Terracota pendants and table light designed by  by Tomas Kral and produced in Extramadura, drawing on the centuries-old skills of the craftsmen who make the typical Spanish ceramic water jugs. They have now added black versions of the pendants.

Petite Friture   B15

Petite Friture I translate as small fry. I’m not sure how accurate an impression that gives of what these guys do, but they have a small collection of lights that includes the huge Vertigo. Huge, but light and airy, since it is skeletal (the outline of an Ascot hat that Cecil Beaton might have designed for My Fair Lady), as are  and other pieces in the collection that are made from loosely woven or net-like fabrics.

Secto   A23/B24

A wonderful collection of lights that work in so many different environments. You know the  main shapes, so check out the more recent ones – Kontro, Owalo (note particularly the linear pendant) and the Aspiro pendant. Using his signature pressed birch, this time Seppo Koho has created free-falling spirals.


Roll and Hill   F5 G6   (and the Triode Gallery, 28 rue Jacob 75006)

F5 G6 is the stand of neri&hu ( ) in Shanghai who make wood furniture (and one neat family of lights called MatchLight). They have asked the important New York-based company, Roll and Hill, to provide lighting. You will be able to see there Lindsey Adelman’s  Agnes and her Knotty Bubbles, Lukas Peet’s Rudi and Monogram by Partners & Spade.

They will also be creating a facsimile of their Brooklyn studio at Triode in Saint-Germain-des-Prés, including a full-size version of one of their giant windows that overlook New York harbour. On display will be fixtures by nearly all their designers, with a focus on newer products such as Counterweight by Fort Standard and Maxhedron by Bec Brittain.

Print Friendly and PDF


Come and join us at lightjunction! Be there, or be square!

lightjunction 18 22 September 2013

Cameron Peters Fine Lighting is in London this week, presenting our first fine lighting show, lightjunction, collocated with designjunction. We are there to help professional visitors get the maximum out of their visit.

lightjunction's aim is to be the most efficient, time-saving way to introduce specifiers to fine lights, to the people who design and make them and, above all, to raise brand-awareness.

We started by assembling a carefully curated, varied collection of lighting makers -- the best ever seen in one place in London. If you don't believe me, for the very first time, thanks to Architonic, you can see not only who is exhibiting at a show but also what they are exhibiting! This information is available now (to help you plan your visit), during the show, and for several months after it. So it is always there to remind you what you saw.

There is a designjunction app available from iTunes and the Android Play Store, plus there is the "Virtual Showroom" on the lightjunction web site.

To assist you further, Fine Lighting News has a series of brief illustrated posts that look at specific exhibitors and at trends. There is an index to them here.

We have arranged three short training sessions on key topics -- the lightjunction Professional Series in the seminar theatre. Half an hour each, back-to-back, you can attend all three in ninety minutes (10:30 to 12:00) and, so you don't have to miss them, they are being given every day (except Sunday). They are:

--     Vibia on a new kind of light being made by several companies -- modules that you can build up into large, site-specific installations. Such freedom can be daunting though, so they'll be demonstrating CREA  -- free software that makes it easy!

--    Architonic is arguably the most important free tool available to specifiers. Many people use it -- either on Architonic's own web site or (without realizing it) on resellers' web sites, such as our LIGHT FINDER. But it can save much more time than many users realize, so they'll demonstrate how. If you use the designjunction app or Virtual Showroom, you are using Architonic, because it is they who have kindly made this new service available to our show. Architonic are the Headline Sponsor of designjunction and lightjunction

--    Megaman are going to brief us on the current state of LEDs in decorative lighting. LEDs are changing so fast that they are probably going to have to give this presentation every year! I asked Megaman because, of all the major lamp makers, it is they who have formally committed themselves to creating decorative-lighting-friendly lamps.  I was therefore particularly delighted when they agreed to sponsor lightjunction.

The lightjunction Debate takes place in the seminar theatre at 12:30 on Saturday. It looks at a subject close to our heart -- emotion and lighting -- made more complicated/interesting by new lighting technologies and legislation:

lightjunction debate details

It is great that David Trubridge was able to come over here from New Zealand to take part. One of the genuine stars of the world of fine lighting, he is an artist who also makes lights -- a practical dreamer! (Don't miss his stand.)

You won't even have to waste time getting to lightjunction! We are really centrally located, by Tottenham Court Road tube station. And we're FREE!!! So do come and join us.

location of lightjunction 2013
times of lightjunction 2013
lightjunction 18 22 September 2013
Print Friendly and PDF


lightjunction: for the first time EVER, images and data for all the lights being shown, on apps and on the web site!

Architonic logo

Architonic is arguably the single most important free tool available to specifiers. We are thrilled therefore that they are doing two things for us at lightjunction (our fine lighting show that  is collocated with designjunction during London design Week), and that they are the Headline Sponsor of designjunction and lightjunction.

The first is a half hour training session that they be giving each day (except Sunday) at eleven o'clock, as part of the Seminar Programme. We have asked them to show you how to get the most out of what they have created. Most people use it, either on Architonic's own web site, or (without realizing it) via "virtual showrooms" on various reseller sites, including the LIGHT FINDER on our web site, but we see that they don't know enough about just how helpful it can be.

The second is amazing! Something that has never been done before!!

There are images and details for every single item displayed at the two shows,

--     in a searchable database (by manufacturer, by designer, by product type)

--     on the web site and as a FREE Android or iTunes app,

--     from now, during the show, and for the next twelve months!!!

When we were conceiving our fine lighting show,  we took a clean sheet of paper and wrote down what we felt really matters to an exhibitor and to a professional visitor.

One of the most important was VISITORS REMEMBERING WHAT THEY SAW.

The exhibitor wants you, the visitor (plus the press, and bloggers), to remember what you all saw, obviously -- what it was, who designed it, how big it is, &c. and -- especially -- whose stand you saw it on! There has never been a satisfactory way to make this happen: giving out catalogues is expensive (and they are heavy to carry), leaflets do not have enough information, the various electronic services that have been offered in the past have never been adopted by enough exhibitors….

One bad consequence is extensive use of cameras, in spite of the fact that this is forbidden, for obvious reasons. Taking pictures is bad manners, annoys the exhibitors and looks very unprofessional. Even if someone does take a picture, it doesn't give them data about the light.

This problem needs to be solved once and for all. So we discussed it with Architonic. As a result, we are delighted to announce that they have created show-specific apps, for designjunction as well as lightjunction, and a "Virtual Showroom"on the designjunction/lightjunction web site.

To download the app, go to iTunes or the Play Store and search for "designjunction".

To find the Virtual Showoom, click on "Virtual Showroom" on the menu bar across the top of any designjunction/lightjunction page...

lightjunction virtual showroom

...or click here.

lightjunction 18 22 September 2013
Print Friendly and PDF

Information, Technical

Specials: if I want my light twice as big, will it cost twice as much?

surface of a sphere

No. It will cost more than double. Why?

1.        The increase in the quantity of the raw materials used will be more than double.

Suppose your light is basically a sphere, like these Hellbobs from Windfallused in this interior designed by René Dekker:

Windfall Hellbob chandeliers René Dekker

The size would be given by the diameter -- you'd say, "I'd like one 90cm in diameter". But the quantity of materials used -- the crystal components and the metal, in this case -- is determined not by the diameter but by the area of the surface of the sphere. If you double the diameter, you more than double the surface area of the sphere.

At school, you learnt that the surface area of a sphere is given by the formula 4πr². The radius is half the diameter, so doubling the diameter doubles the radius.

But there are those other factors in the formula. So, for example, if the radius is 50, the surface area is 31,429 (50 x 50 x 22 ÷ 7 x 4). But double the radius to 100, the surface area becomes 125,714 (100 x 100 x 22 ÷ 7 x 4), which is not double, but four times the original area.

2.        The unit cost of the raw materials and components will be higher

It takes on average two years for a lighting maker to bring an original concept to market. Many processes are taking place during this time, that are concerned not just with its design, packaging and pricing, but also with what it will be made from, which subcontractors will be used, and how it will meet the relevant regulations (the main one of which -- IEC60598 -- is 192 pages long in its English version).

The prices of raw materials and sub-assemblies of the standard items are therefore tightly controlled. But a special undermines all this work.

The larger the stock order is of, say, crystals of a particular type, the cheaper they will be. But, if the maker has to buy in a small quantity of something they don't stock, the unit cost will be higher.

Some items -- for example, fabric covers for cables  -- can only be bought in minimum lengths, which could be a kilometre. So, if only 1m is required for your special, they still have to buy 100m.

3.        You can't expect people to work for nothing

Once a catalogue item is launched, pretty much everything has been worked out. Issues will come up, of course, but there will be standard computerized systems controlling the stock, subassemblies and manufacturing. Packaging is designed and sitting on shelves. The light meets all the regulatory requirements.

As soon as we ask for something different, however, a miniature version of all the work done for the catalogue item has to be done again. The implications of the modifications have to be identified and designed around. Greater weight may mean that the suspension components have to be changed and other modifications made so that the tilt tests are passed. Once quantities have been calculated, suppliers and subcontractors have to be negotiated with, specifically, and only, for the special.

The modified version has also to meet all the regulations.

Only highly skilled people can take care of all these things.

And they are not sitting around doing nothing, awaiting our email. They may have other work to finish before they can look at our special. So might the subcontractors.

Then, making the special has to be scheduled through production. Not only has a window to be found for it, but it will take longer than a standard item and may need to be done by the most senior operatives. They will have to wait until the special parts have been delivered and tested.

So... It will cost more than twice as much. And you will have to wait for the experts to design and cost your special. It will also take longer to make.


Always specify a standard item if you want to keep the cost down and if you want a price quickly!

Print Friendly and PDF


Introducing LIGHTJUNCTION: London's first trade fair dedicated to high-end decorative lighting!

lightjunction place and dates 2013 Cameron Peters Fine Lighting and designjunction are thrilled to announce lightjunction -- London's first trade fair dedicated to high-end decorative lighting. lightjunction will be a carefully curated showcase of leading international lighting brands, offering beautiful, yet practical lighting designs from across the globe.

It grew out of our search for way to introduce fine lighting brands and their lights to London-based specifiers, in a way which suited them.

lightjunction stands will be in amongst designjunction stands at the Sorting Office. Therefore they will be at the most exciting and enjoyable show during London Design Week, and in the best possible location -- just north of Covent Garden.

During the next few weeks, Fine Lighting News posts will cover the brands that are showing, the trends that you will see, and details of the seminars, which address issues that we know are concerning specifiers of decorative lighting. The intention is that the time you can spend at the event is as productive as possible.

In the meantime, here is an introduction to designjunction.

lightjunction 2013 1

Central London’s leading design destination

The critically acclaimed designjunction presents the third edition of its flagship London show this September during the London Design Festival.

designjunction, which last year attracted more than 17,000 visitors, will showcase the very best in furniture, lighting and product design from around the world, presenting an edited selection of leading global brands and emerging enterprises. designjunction showcases design against a stunning industrial backdrop, striking a balance between creative and commercial, while offering a much-needed alternative to the traditional trade show.

This year, designjunction returns to the centrally-located 1960s Postal Sorting Office, where a powerful line-up of renowned international brands, smaller cutting-edge labels, pop-up shops, large-scale installations, eateries, flash factories, seminars and screenings will be presented across three floors of the impressive 120,000 sq ft venue.

designjunction will feature more than 150 brands – making it central London’s leading destination for contemporary design and the most important global meeting point of the Festival.

Key exhibitors returning to the show include: Assemblyroom, Zanotta, Modus, Bolon, Dare Studio, Jake Dyson, Carl Hansen, Channels, Orsjo, Innermost, Mitab, Pinch, LZF, Fritz Hansen among others. New brands at the show include &tradition, String, Laufen, Artifort, MARKProduct, Northern Lighting, Simon Pengelly, Pallucco, Bark Furniture, Bla Station, Girsberger, Zero, and Vibia as well as smaller independent labels &On Design, Sonya Winner, Western Trash, Eleanor Pritchard, Baines & Fricker and more to be announced shortly. Visit for regular updates

Since its inception in 2011, designjunction has achieved global success, transporting satellite editions of the show to other destinations including Milan and more recently New York.


lightjunction 2013 2

Part of the ground floor will be transformed into a series of interactive Flash Factories, where the processes of industrial production will be brought to life through live demonstrations from 3D printing to authentic craft making.

London-based architecture duo VoonWong+BensonSaw (VW+BS) will design the new seminar theatre, providing an inspiring backdrop for live debates and panel discussions.


lightjunction 2013 3

designjunction will transform the Sorting Office into the London Design Festival’s premier retail destination with more than 30 design-led stores selling furniture, fashion, art, ceramics, glassware, books, watches and accessories.

Visitors can purchase the latest designs from an exclusive line-up of pop-up shops including Native Union, Patternity, Falcon Enamel, Dezeen Watch Store, Anything, Tokyobikes, Outline Editions, Cherchbi and Les Ateliers.

designjunction will also host the revered Midcentury Modern show, showcasing a strong selection of 20th Century design classics and modern collectables. All items will be available for purchase.


lightjunction 2013 4

A taste of things to come

 Providing a feast of flavours from around the world, designjunction's ground floor will host some of London’s finest street food eateries. A diverse menu will feature the best of British produce alongside high-quality international cuisine, including Michelin starred food offerings.

On the first floor, The Chilean Embassy will source the very best Chilean wines, delivering an authentic taste of Chile, while hosting regular wine tasting sessions throughout the show.

More food and drink offerings to be announced shortly.

Opening Hours

Wednesday 18 September | Press Preview 3pm – 6pm

Thursday 19 September | 10am – 8pm

Friday 20 September | 10am – 7pm

Saturday 21 September | 10am – 6pm

Sunday 22 September | 10am – 4pm

Free to attend | visit for more information


Print Friendly and PDF