Ombre Portée

Volière by Challières Paris sparks controversy on Kelly Hoppen's TV show

Those of you fortunate enough to have watched Kelly Hoppen's television programme, shown on British television on 1st November, will not only have seen Mathieu Challières' La Petite Volière, but also how sharply it divides opinion!

La petite Voliere from Challieres ParisWe have seen quite violent reactions against it from professional interior designers, for whom it seemed to violate some fundamental moral law that governs what a light should be. On the other hand, many really love it. In our sales office, where the staff could have any light they want, it was this that they chose -- they found it enchanting.

The birds are beautifully made models. If Kelly Hoppen's client had really wanted to have a chandelier with dead real birds, it takes a very different artist to create a work of art that uses them to create a Jekyll and Hyde frisson -- beautiful one  minute, chillling the next. This is the Belgian Nora de Rudder's The Birds:

The Birds by Nora de Rudder

Le Volière comes in quite a large family now -- a larger pendant

an applique

Voliere by Challieres wall light

and even a table light

Voliere by Challieres table lightIt is part of Mathieu Challières Un Petit Air du Campagne series which also includes Pommes:

Pommes by Challieres

They bring a smile on the rainiest of Monday mornings, like Mathieu himself!

A lighting factlet: the atelier of Challières Paris is next door to Ombre Portée's!

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The term DECORATIVE LIGHTING covers all the traditional kinds of light fitting (floor lights, pendants, chandeliers, etc) and differentiates them from technical or architectural lighting (e.g. downlighters). The basis for the difference is that the decorative light fitting can be seen. And if it can be seen, it matters what it looks like. For example:

Marset Discoco
Melogranoblu Calaf (small)

Melogranoblu 3 x Calaf (small)

Whereas, technical lights can be hidden in the wall, floor or ceiling, so you are not meant to see them at all. Tekna's Flat is a brilliantly executed downlighter: the lamp is almost invisible (because it is recessed up into the ceiling), and the structure manages to be almost invisible also. Plus, the beam spread is so good that there need be no light pool beneath it:

Another way of putting it is that, for technical lights, what is important is the lamp, whereas for decorative lighting, the emphasis is on what the luminaire looks like.

This must not be taken too far, however! Every light fitting will cast light but in different ways. Knowing in what way is essential to the specifying decision. As Ingo Maurer has said: "People buy for the shape [i.e. what the luminaire looks like] , but the quality [i.e. how it performs as a light-producing object] is more important - that it doesn't give you glare, that it makes you feel comfortable. You cannot buy a lamp for its shape."

There are lights that just glow, that look wonderful in a semi-formal setting:

Ombre Portée's Phebus applique
Ombre Portée's Phebus at Yvelines golf club
Ombre Portée's Crop Circle

Ombre Portée's Phebus at Rochefort-en-Yvelines Gold Club

Ombre Portée's Crop Circle at Hotel le Cardinal

Ombre PortéeCrop Circle

Ombre Portée's Crop Circle at Hôtel le Cardinal, Paris

At the opposite extreme there are task lights, whose main function is to put light where it is required. But they can still be seen -- what they look like (and, more broadly, what they are: who designed them, who made them, in what materials, etc.) is still important. The two most common types of tasklight are desk lights:

Tecnolumen EB27 E- Buquet

TecnolumenEB27 (Eduard-Wilfrid Buquet)

Tecnolumen AD34


and floor-standing reading lights:

Marset Scantling floor
Marset Camp


In fact, there are lights available for almost any purpose -- functional or aesthetic.

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